Read the review, Iona Brown vn Lars Anders Tomter va Norwegian Chamber Orchestra, Superbly matched soloists and lithe ensemble playing in a joyous performance mingling subtlety of detail with a natural Mozartian flow. One of my overall favourite pianists is Maria João Pires, and I'd buy more of her Mozart piano concerto CDs if I were in the market for yet more of Mozart, but I'm not. A performance from Philippe Graffin and, again, Nobuko Imai in 2006 is compromised by a boomy recording and some ragged orchestral ensemble. This is a powerful, consciously projected reading, with Dumay the dominant influence. The Andante is a transfigured love duet triste that touches depths of desolation found elsewhere only in the Andantino of the Jeunehomme Piano Concerto, K271, and the Adagio of the A major Piano Concerto, K488. The composition displays Mozart’s characteristic beauty and grace. Here's the Presto from that Deutsche Gramophon recording, DG 453 043. Yakov Kreizberg launches the Sinfonia concertante in emphatic style: a no-nonsense tempo, lashing sforzando accents, a powerful forward impetus. There’s a close dramatic interplay between the soloists: say, in the viola’s assuaging response to the violin’s anxious C minor theme in the first movement – an exchange movingly heightened in the recapitulation – or the impulsive whoops of delight in the finale. Composer: Wolfgang Amadeus Mozart It’s difficult to hear this movement and not feel Mozart’s immense loss. Even the final Presto, taken steadily, is tinged with wistfulness, and the Andante has a musing, quasi-improvisatory quality. Here the mellow darkness of her tone beautifully complements Brown’s sweetness and purity in a partnership of equals. The West-Eastern Divan Orchestra's concert in Ramallah in 2005 was a highly iconic event: for the first time, the orchestra performed in the West Bank. The violinist remarked that in his younger days he hadn’t much cared for the Sinfonia concertante. Usually his father accompanied him on these trips. With more than 40 current CD versions of the Sinfonia concertante, and a score of others available as downloads, I’ve inevitably been ruthless in this bird’s-eye survey. 5 in C minor, Op. Julia Fischer and Gordan Nikolić, with Yakov Kreizberg and the Netherlands Chamber Orchestra in 2006, are another near-perfect match in a performance that bristles with character. Philips. Yet while the forward motion is welcome, it all feels too pressed, with strong beats over-emphasised. Mozart's Sinfonia Concertante, kv364; ... the recording that ties everything that should be kv364 together and makes it sweet and tender and light and airy is the recording off of the Amadeus soundtrack by none other than The Academy of St. Martin in the Fields under the direction of Sir Neville Marriner. Ensemble: Israel Philharmonic Orchestra Mozart composed his Clarinet Concerto just a few months before his death while he was also working on his Requiem. Read the review, Julia Fischer vn Gordan Nikolić va Netherlands CO / Yakov Kreizberg, Yakov Kreizberg’s fiery opening tutti sets the tone for a performance bristling with energy and imagination. However, I can confidently state that their performances of the Clarinet Concerto and Sinfonia Concertante are among the best versions on record and fully deserving of the exalted status given by the folks at EMI. In the finale the soloists palpably relish egging each other on to new flights of fancy. With the events of this trip undoubtedly on his mind, Mozart composed the Sinfonia Concertante. 47 →, Camille Saint-Saens – Danse Macabre, Op. A live recording. In the first two movements Midori and Imai flex the pulse liberally for expressive effect, though Midori’s hesitations and self-questionings in the Andante can sound a touch self-regarding. The Andante is profoundly moving in its subtlety and restraint. Horowitz ditto. The Sinfonia Concertante is a much later work and in Mutter and Bashmet's hands is utterly spell-binding. But this remains guesswork. Price Match Guarantee. The pairings of Frang-Rysanov and Fischer-Nikolić both do the Sinfonia concertante proud. But there is grace and – say, in the airborne ‘second subject’ – playfulness in abundance; and the very first entry of the soloists, only gradually emerging into consciousness, is as seraphic as you could wish. The inevitable question is "how do they compare" and the unfortunate answer is "not too well." But it works superbly. Less speculatively, the sonorous richness of the orchestral writing, with violas divided throughout, reflects Mozart’s contact with the crack Mannheim orchestra – though, needless to say, the power and technical mastery of the Sinfonia concertante surpass any possible models. Sharon Bezaly is renowned – and revered by flautists – for her powerful, full-bodied tone and iconic 24-carat gold flute. Now as an accomplished 42-year-old virtuoso in 2003, Mutter has recorded all five of Mozart's violin concertos plus his Sinfonia Concertante with herself conducting the London Philharmonic. The date of … What can go wrong? When the soloists embroider the second theme with triplet arabesques, the mood briefly lightens to one of ethereal playfulness. Gramophone is brought to you by Mark Allen Group 40, Ludwig van Beethoven – Late String Quartets, Frederic Chopin – Piano Sonata No. The Sinfonia concertante for four wind instruments and orchestra, K 297b is a work surrounded by many mysteries, and it fits beautifully in this context of discovery. Two world-class soloists. Yet breadth and pliability – no other performance bends the pulse so frequently – coexist with a quality of impassioned Romantic yearning. Presto – Mozart*, Igor Oistrakh* And David Oistrakh* Duo For Violin And Viola In G K. 423: B2 – 1. MA Music, Leisure and Travel The Andante, phrased in broad paragraphs, combines a rarefied inwardness with an underlying agitation, Fischer’s silvery sweetness complemented by Nikolić’s mahagony depth. My final choice, though, lies between three recordings I’ve yet to mention. Frank Peter Zimmermann (violin), Antoine Tamestit (viola) Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks, Radoslaw Szulc Wolfram Brandi (violin), Yulia Devenka (viola) with the Staatskapelle Berlin Orchestra led by Daniel Barenboim. In a performance from the same 1960s vintage conducted by Colin Davis, the ever-cultivated Arthur Grumiaux consistently outguns the dusty-toned viola player Arrigo Pelliccia in polish and fantasy. At just over 14', with six laborious beats to the bar, the Stern-Primrose Andante is the slowest on disc, the tempo surely dictated by Casals. This isn't necessarily Shostakovich's easiest work to enjoy but Mravinsky and the Leningrad Philharmonic certainly ... Mozart: Sinfonia Concertante, Symphony No. First, the two SINFONIA CONCERTANTE of Mozart are "occasional" works (again, on the face of it), and in fact the earlier work is of spurious authenticity (being a "reconstruction" from memory of a lost Mozart original). Receive a weekly collection of news, features and reviews, Richard Wigmore One tiny detail is Brown’s delighted upward surge as she sights the imminent prospect of the new key, B flat, near the begining. Sinfonia concertante (IPA: [siɱfoˈniːa kontʃerˈtante]; also called symphonie concertante) is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra. Mozart: Concerto, KV 365/ Sinfonia concertante, KV 364 CHAN 10507 Here, it is recorded in Baborák's arrangement for Mozart's original instrumentation. But the drooping, neurasthenic Andante, its tone set by the swoops and sotto voce wails of Mutter’s initial entry, is self-indulgent to the point of parody. At 8'42" (another record on disc), the Andante is now determinedly de-romanticised. Chosen recordings are representative rather than necessarily superior to ones that are omitted. Brown and Imai commune with unaffected sensitivity in the Andante, never straining for expressive effect, while the bouts of repartee in the finale have a puckish twinkle. Abbado and his soloists ignore the composer’s prescribed maestoso. Graceful, dynamic and surprising, Giuliano Carmignola's collaboration with Claudio Abbado and the Orchestra Mozart is a must-have recording. In the Kondrashin recording, especially, the Oistrakhs milk the Andante as if it were Tchaikovsky. This little Swiss release is not a state-of-the-art recording of Mozart's Sinfonia Concertante in E flat major for violin and viola, K. 364, and that, perhaps, is its charm. Cared for the Sinfonia Concertante K 364, Sinfonia No that are omitted of... First movement sound studied ; and I sense No joy in the Andante is now de-romanticised! The most heartfelt piece of music Mozart composed to this point Gramophon recording, DG 043... 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